Instead the band hired producer Tchad Blake, known for his use of binaural recording. Gossard stated that the band "felt like it was time to try something new," and that they "were ready for a change." Lead vocalist Eddie Vedder called the making of the album "a construction job." Binaural was the first album since the band's debut that was not produced by Brendan O'Brien. Similar to the process for Yield, the band members worked on material individually before starting the recording sessions together. The album's 2000 tour spawned a large collection of official bootleg releases. Although the album was certified gold by the RIAA, it became the first Pearl Jam studio album to fail to reach Platinum status in the United States. Binaural received positive reviews, and debuted at number two on the Billboard 200. The atmospheric tracks, mostly featuring somber lyrics dealing with social criticism, led the band to convey these themes with images of nebulas in the album artwork. The music on the album featured an experimental sound, evident on songs that used binaural recording techniques. This is Pearl Jam's first album to feature former Soundgarden drummer Matt Cameron, who joined during 1998's Yield Tour to replace Jack Irons.
During the production of the album, the band encountered hindrances such as singer Eddie Vedder's writer's block, and guitarist Mike McCready's entrance into rehabilitation due to an addiction to prescription drugs. Following a full-scale tour in support of its previous album, Yield (1998), Pearl Jam took a short break before reconvening toward the end of 1999 to begin work on a new album. The songs are sharper, the production is layered, and the performances are as compassionate as ever, resulting in their finest album since Vitalogy.Binaural is the sixth studio album by American rock band Pearl Jam, released May 16, 2000, through Epic Records. Instead, the difference is focus - though Pearl Jam is trying a lot of different styles, certainly more so than on Yield, they pull it all off better. Maybe the addition of a new drummer, former Soundgarden member Matt Cameron, has kicked the band to life, but that unfairly dismisses Jack Irons' worthy contributions.
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This should come as no surprise, since that's what they've done since No Code and, perhaps, Vitalogy, but the real surprise about their sixth studio album Binaural is that it finds the group roaring back to life without dramatically changing the direction they followed on No Code and Yield. Not surprisingly, they chose to persevere, ignoring trends, completely in favor of being a classicist rock band. No peers, and too sincere to even consider fitting into a pop scene dominated by 'N Sync on one side and Limp Bizkit on the other. They were the only one of their old grunge colleagues still standing intact, and they were genuinely alone.
Even with "Last Kiss," their first big hit single since Ten, under their belts, they were an anomaly on the pop and rock scenes. If anything, Pearl Jam was even more in the wilderness - at least as far as the mainstream was concerned - at the beginning of 2000 than they were in the second half of the '90s.
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